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<channel>
	<title>Notebook</title>
	<link>http://keiran.blogsome.com</link>
	<description></description>
	<pubDate>Sun, 14 Jan 2007 19:44:07 +0000</pubDate>
	<generator>http://wordpress.org/?v=1.5.1-alpha</generator>
	<language>en</language>

		<item>
		<title>Nethra Samarawickrema</title>
		<link>http://keiran.blogsome.com/2007/01/14/nethra-samarawickrema/</link>
		<comments>http://keiran.blogsome.com/2007/01/14/nethra-samarawickrema/#comments</comments>
		<pubDate>Sun, 14 Jan 2007 19:40:12 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>quotes</category>
		<guid>http://keiran.blogsome.com/2007/01/14/nethra-samarawickrema/</guid>
		<description><![CDATA[	&quot;When there was a conflict between independence and obedience, I have  often chosen the latter for the fear of losing the love of the people  close to me. With the help of distance and time, I see now that the  security I chose was a false security. If there is such a [...]]]></description>
			<content:encoded><![CDATA[	<blockquote><p>&quot;When there was a conflict between independence and obedience, I have  often chosen the latter for the fear of losing the love of the people  close to me. With the help of distance and time, I see now that the  security I chose was a false security. If there is such a thing as security  in a relationship, I am guessing that it would result from the capacity  to sustain love and respect in the presence of dissent.&quot;</p></blockquote>
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	</item>
		<item>
		<title>Zillah Eisenstein</title>
		<link>http://keiran.blogsome.com/2007/01/14/zillah-eisenstein-4/</link>
		<comments>http://keiran.blogsome.com/2007/01/14/zillah-eisenstein-4/#comments</comments>
		<pubDate>Sun, 14 Jan 2007 19:36:56 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>quotes</category>
	<category>race</category>
		<guid>http://keiran.blogsome.com/2007/01/14/zillah-eisenstein-4/</guid>
		<description><![CDATA[	from Against Empire: Feminisms, Racism and the West:
	p38: &quot;There is too much complexity in &#8216;Asia&#8217; for one term to hold it&#8230;Arab, Indian, Malay, Thai, Chinese, Japanese.&quot;
	&quot;Critiques are bounded by some of the same narrowed contours as the systems of power they seek to dismantle.&quot;
	p39: &quot;The tools of thinking are always in part tied to the [...]]]></description>
			<content:encoded><![CDATA[	<p>from <em>Against Empire: Feminisms, Racism and the West</em>:</p>
	<blockquote><p><strong>p38:</strong> &quot;There is too much complexity in &#8216;Asia&#8217; for one term to hold it&#8230;Arab, Indian, Malay, Thai, Chinese, Japanese.&quot;</p></blockquote>
	<blockquote><p>&quot;Critiques are bounded by some of the same narrowed contours as the systems of power they seek to dismantle.&quot;</p></blockquote>
	<blockquote><p><strong>p39:</strong> &quot;The tools of thinking are always in part tied to the repressive regimes they wish to challenge.&nbsp; I therefore continue to look for what I do not already know.&quot;</p></blockquote>
	<blockquote><p><strong>p41:</strong> &quot;Deleuze&#8230; privileges difference over uniformity&#8230; and the nomad&#8217;s wanderings over the sedentary life.&quot;</p></blockquote>
	<blockquote><p><strong>p43:</strong> &quot;Writing is an act of resistance.&quot;</p></blockquote>
	<blockquote><p>&quot;Deleuze privileges investigation more than knowing&#8230;&quot;</p></blockquote>
	<blockquote><p>&quot;Claude Levi-Strauss says: &quot;One cannot fully enjoy the other, identify with him, and yet at the same time remain different.&quot;</p></blockquote>
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	</item>
		<item>
		<title>Naeem Inayatullah</title>
		<link>http://keiran.blogsome.com/2007/01/14/naeem-inayatullah/</link>
		<comments>http://keiran.blogsome.com/2007/01/14/naeem-inayatullah/#comments</comments>
		<pubDate>Sun, 14 Jan 2007 19:26:30 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>quotes</category>
	<category>class</category>
	<category>race</category>
		<guid>http://keiran.blogsome.com/2007/01/14/naeem-inayatullah/</guid>
		<description><![CDATA[	from White Fire: Social Autism in our Times (dr. 2006)
&#8230;to begin to investigate the need for superiority is nearly to have stepped down and into the rest of humanity.
]]></description>
			<content:encoded><![CDATA[	<p>from <em>White Fire: Social Autism in our Times </em>(dr. 2006)<br />
<blockquote>&#8230;to begin to investigate the need for superiority is nearly to have stepped down and into the rest of humanity.</p></blockquote>
]]></content:encoded>
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	</item>
		<item>
		<title>Spike Lee</title>
		<link>http://keiran.blogsome.com/2007/01/01/spike-lee/</link>
		<comments>http://keiran.blogsome.com/2007/01/01/spike-lee/#comments</comments>
		<pubDate>Mon, 01 Jan 2007 23:43:55 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>quotes</category>
	<category>film</category>
	<category>race</category>
	<category>America</category>
		<guid>http://keiran.blogsome.com/2007/01/01/spike-lee/</guid>
		<description><![CDATA[	From an interview by Katja Nicodemus in Die Zeit (March 16, 2006):
Today people still have the nerve to shoot a film like Cold Mountain (2003), a film that&#8217;s set in the 19th century in the southern states, where we see Nicole Kidman in a bonnet and not a single black person. And nobody gets excited. [...]]]></description>
			<content:encoded><![CDATA[	<p>From an interview by Katja Nicodemus in Die Zeit (March 16, 2006):<br />
<blockquote>Today people still have the nerve to shoot a film like <em>Cold Mountain</em> (2003), a film that&#8217;s set in the 19th century in the southern states, where we see Nicole Kidman in a bonnet and not a single black person. And nobody gets excited. Insane.</blockquote>
   Also: <em>The Prestige</em> (2006).<br /> 
</p>
]]></content:encoded>
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	</item>
		<item>
		<title>Zillah Eisenstein</title>
		<link>http://keiran.blogsome.com/2006/12/27/zillah-eisenstein-3/</link>
		<comments>http://keiran.blogsome.com/2006/12/27/zillah-eisenstein-3/#comments</comments>
		<pubDate>Thu, 28 Dec 2006 02:12:06 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>quotes</category>
	<category>race</category>
	<category>America</category>
	<category>foreign policy</category>
		<guid>http://keiran.blogsome.com/2006/12/27/zillah-eisenstein-3/</guid>
		<description><![CDATA[	Against Empire: Feminism, Racism and the West
	pg 5: Israel, initially founded on the idea of freedom for Jews, is also an apartheid state practicing racism against Palestinians.
	pg 6: I move beyond the liberal/Western notion of diversity which accepts out of necessity, rather than choice, that people will differ.&nbsp; This means seeking out cultural differences in [...]]]></description>
			<content:encoded><![CDATA[	<p><strong>Against Empire: Feminism, Racism and the West</strong></p>
	<blockquote><p><strong>pg 5:</strong> Israel, initially founded on the idea of freedom for Jews, is also an apartheid state practicing racism against Palestinians.</p></blockquote>
	<blockquote><p><strong>pg 6:</strong> I move beyond the liberal/Western notion of diversity which accepts out of necessity, rather than choice, that people will differ.&nbsp; This means seeking out cultural differences in order to deepen understanding by sharing and decentering the self with a newly fulfilling complexity.</p></blockquote>
	<blockquote><p><strong>pg 21:</strong> Jihad, at its best, and in its meaning for most Muslims the world over, is the struggle to find justice, equality, and freedom for the internal and external self.</p></blockquote>
	<blockquote><p><strong>pg 28:</strong> [My father] used to say that the only way we change is if we think we have to.</p></blockquote>
	<blockquote><p><strong>pg 30:</strong> Seeing anew means subverting the distorting of before with a willingness to be deeply uncomfortable with the self.</p></blockquote>
	<blockquote><p><strong>pg 34:</strong> China was the most advanced economy of the medieval world.&nbsp;</p></blockquote>
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	</item>
		<item>
		<title>Zillah Eisenstein</title>
		<link>http://keiran.blogsome.com/2006/12/26/zillah-eisenstein-2/</link>
		<comments>http://keiran.blogsome.com/2006/12/26/zillah-eisenstein-2/#comments</comments>
		<pubDate>Tue, 26 Dec 2006 23:49:54 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>quotes</category>
	<category>theory</category>
	<category>class</category>
		<guid>http://keiran.blogsome.com/2006/12/26/zillah-eisenstein-2/</guid>
		<description><![CDATA[	Against Empire, pg 3:
	Bourgeois culture is seductive and captivating and it is oppressive and isolating.
]]></description>
			<content:encoded><![CDATA[	<p><u>Against Empire</u>, pg 3:</p>
	<blockquote><p>Bourgeois culture is seductive and captivating <em>and</em> it is oppressive and isolating.</p></blockquote>
]]></content:encoded>
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	</item>
		<item>
		<title>Zillah Eisenstein</title>
		<link>http://keiran.blogsome.com/2006/12/26/zillah-eisenstein/</link>
		<comments>http://keiran.blogsome.com/2006/12/26/zillah-eisenstein/#comments</comments>
		<pubDate>Tue, 26 Dec 2006 23:44:55 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>quotes</category>
	<category>theory</category>
		<guid>http://keiran.blogsome.com/2006/12/26/zillah-eisenstein/</guid>
		<description><![CDATA[	Against Empire, pg 2:
	Thinking and seeing before the moment &#8212; its history &#8212; and after &#8212; its future possibilities &#8212; demands complex knowing.
]]></description>
			<content:encoded><![CDATA[	<p><u>Against Empire</u>, pg 2:</p>
	<blockquote><p>Thinking and seeing <em>before</em> the moment &#8212; its history &#8212; and <em>after</em> &#8212; its future possibilities &#8212; demands complex knowing.</p></blockquote>
]]></content:encoded>
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	</item>
		<item>
		<title>Fiction film canon</title>
		<link>http://keiran.blogsome.com/2006/10/18/fiction-film-canon/</link>
		<comments>http://keiran.blogsome.com/2006/10/18/fiction-film-canon/#comments</comments>
		<pubDate>Thu, 19 Oct 2006 00:53:35 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>film</category>
	<category>theory</category>
		<guid>http://keiran.blogsome.com/2006/10/18/fiction-film-canon/</guid>
		<description><![CDATA[	Screenings for my fiction film theory class, chronologically:
	
Battleship Potemkin (Eisenstien, USSR, 1925); 
	Sunrise: A Song of Two Humans (Murnau, US, 1927);   
	At Land (Deren, US, 1944);   
  
Peeping Tom (Powell, UK, 1960);   
	The Umbrellas of Cherbourg (Demy, France, 1964);   
	Blow-Up (Antonioni, Italy, 1966);   
	Playtime [...]]]></description>
			<content:encoded><![CDATA[	<p>Screenings for my fiction film theory class, chronologically:</p>
	<ul>
<li><a target="_self" href="http://www.imdb.com/title/tt0015648/"><em>Battleship Potemkin</em></a> (Eisenstien, USSR, 1925); </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0018455/"><em>Sunrise: A Song of Two Humans</em></a> (Murnau, US, 1927);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0036618/"><em>At Land</em></a> (Deren, US, 1944);   </li>
  <a id="more-41"></a>
<li><a target="_self" href="http://www.imdb.com/title/tt0054167/"><em>Peeping Tom</em></a> (Powell, UK, 1960);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0058450/"><em>The Umbrellas of Cherbourg</em></a> (Demy, France, 1964);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0060176/"><em>Blow-Up</em></a> (Antonioni, Italy, 1966);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0062136/"><em>Playtime</em></a> (Tati, France, 1967);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0063291/"><em>Memories of Underdevelopment</em></a> (Alia, Cuba, 1968);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0073440/"><em>Nashville</em></a> (Altman, US, 1975);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0078966/"><em>The China Syndrome</em></a> (Bridges, US, 1979);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0081554/"><em>Stardust Memories</em></a> (Allen, US, 1980);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0085267/"><em>Born in Flame</em></a> (Borden, US, 1983);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0097564/"><em>Isle of Flowers</em></a> (Furtado, Brazil, 1989);   </li>
	<li><em>Mujeria: Primitive and Proud</em> (Hidalgo-de la Riva, US, 1992);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0113125/"><em>From the Journals of Jane Seberg</em></a> (Rappaport, US, 1995);   </li>
	<li><a target="_self" href="http://www.imdb.com/title/tt0274428/"><em>Divine Intervention: A Chronicle of Love and Pain</em></a> (Suleiman, Palestine, 2002).</li>
  </ul>
  <em />
</p>
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		<item>
		<title>The price of good work</title>
		<link>http://keiran.blogsome.com/2006/10/16/the-price-of-good-work/</link>
		<comments>http://keiran.blogsome.com/2006/10/16/the-price-of-good-work/#comments</comments>
		<pubDate>Mon, 16 Oct 2006 21:56:44 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>writing</category>
		<guid>http://keiran.blogsome.com/2006/10/16/the-price-of-good-work/</guid>
		<description><![CDATA[	Due within the next 48 hours: 20 pgs of autobiography, 40 pgs of screenplay, performance of acting scene, 4 pgs of character analysis, proposal for theatre analysis project.
	Sleep within the next 48 hours: none.
]]></description>
			<content:encoded><![CDATA[	<p>Due within the next 48 hours: 20 pgs of autobiography, 40 pgs of screenplay, performance of acting scene, 4 pgs of character analysis, proposal for theatre analysis project.</p>
	<p>Sleep within the next 48 hours: none.</p>
]]></content:encoded>
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	</item>
		<item>
		<title>Rendered speechless</title>
		<link>http://keiran.blogsome.com/2006/10/09/rendered-speechless/</link>
		<comments>http://keiran.blogsome.com/2006/10/09/rendered-speechless/#comments</comments>
		<pubDate>Mon, 09 Oct 2006 04:26:08 +0000</pubDate>
		<dc:creator>Administrator</dc:creator>
		
	<category>quotes</category>
	<category>acting</category>
		<guid>http://keiran.blogsome.com/2006/10/09/rendered-speechless/</guid>
		<description><![CDATA[	A choice excerpt from a recent reading assignment in my acting class: 
	&quot;The labyrinth, too, loses its gargantuan proportions and the macrodimensions take on another, more real, perspective, or rather a complete lack of perspective, as the reality-holography which is the universe flattens and softens into a sphere of plastic perceptions.&nbsp; Rebirth no longer is [...]]]></description>
			<content:encoded><![CDATA[	<p>A choice excerpt from a recent reading assignment in my acting class: </p>
	<blockquote><p>&quot;The labyrinth, too, loses its gargantuan proportions and the macrodimensions take on another, more real, perspective, or rather a complete lack of perspective, as the reality-holography which is the universe flattens and softens into a <a id="more-39"></a>sphere of plastic perceptions.&nbsp; Rebirth no longer is a bogeyman, and the material universe is less of a nightmare or no greater a nightmare than it has been all along.&quot;</p></blockquote>
	<p>-from &quot;The Professional Labyrinth Reader&#8217;s Handbook&quot; in <em>American Book of the Dead</em> by E J Gold </p>
	<p>Words fail me.</p>
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